A TOWN HALL THEATRE CO. MAIN STAGE PRODUCTIONSeason 82: Belonging
Sept 12 – Oct 3, 2026
Town Hall Theatre, 3535 School St., Lafayette, CA
- Running time
- 135 minutes, with one intermission
- Setting
- A lively beauty salon in northwest Louisiana, 1980s
- Written by
- Robert Harling
- Directed by
- Richard Perez
Presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection.
Content advisory
This production includes a sequence of loud simulated gunfire, with multiple shots in rapid succession.
Steel Magnolias explores themes including illness, medical complications, grief, and death.
Though often humorous and warm, the play contains emotionally intense moments that may be difficult for some audience members.
Cast
Six women, one beauty shop, and twenty years of showing up for one another.
Allison Gamlen
Truvy Jones
Alli Gamlen (she/her) is honored to make her Town Hall Theatre debut. Favorite credits include Sophie in The Da Vinci Code (Palo Alto Players), Karen in The Wisdom of Eve (Altarena Playhouse), Annette in God of Carnage (Masquers Playhouse), Pattie in Kimberly Akimbo (Altarena Playhouse), and Bev/Kathy in Clybourne Park (Masquers Playhouse), the latter earning her the San Francisco Bay Area Theatre Critics Circle Award for Principal Performer in a Drama. Alli is a faculty member at Studio A.C.T. and the Arts Coordinator for the San Mateo County Office of Education. When she's not onstage, Alli can be found in a dance class or out exploring the East Bay. allisongamlen.com
Aero England
Annelle Dupuy-Desoto
Aero England (they/them) is thrilled to be returning to Town Hall for Steel Magnolias! You may have seen them last December as Erin (Red Cast) in Snowbound! Previous roles also include Maria in Twelfth Night (Inferno Theatre), Moritz in Spring Awakening (Masquers Playhouse), Orcus in She Kills Monsters, Lydia/Miss de Bourgh in Pride and Prejudice and Bad Idea Bear/Mrs. T in Avenue Q (Plethos Productions). Aero read and watched Steel Magnolias for the first time earlier this year and instantly fell in love with the story and its themes of sisterhood and adversity. Playing the quirky, complex and lovable Annelle has been such a wonderful experience! If this is your first time seeing this play, Aero hopes you enjoy it just as much as they do! Lastly, they would like to thank their family and friends for their never-ending love and support, “I love you all”!
Marsha van Broek
Clairee Belcher
Marsha van Broek (she/her) is delighted to be making her debut at Town Hall Theatre. Favorite roles include Lady Bird Johnson in Tea for Three (Play on the Grounds – Montalvo), Dottie in Good People (SFBATCC Award, Altarena Playhouse), Winifred Snow in Into the Breeches (Masquers Playhouse), Utnapishtim's Wife in Epic of Gilgamesh (Shaggy Dog Production), and the Pundit in The Book Club Play (Ross Valley Players). Marsha enjoys bird watching, traveling, and volunteering as a docent at The Ruth Bancroft Garden. Lots of love to her family. marshavanbroek.com
Melody Payne Alonzo
Shelby Eatenton-Latcherie
Melody Payne Alonzo (she/her) is happy to be back on the Town Hall Theatre stage! She was last seen here as Heather in Human Error. Melody has been singing her whole life and acting and dancing for two decades. She trained with All Access Productions in Long Island, NY and with private coaches throughout the years. She most recently played Thalia in Gods of Comedy (Masquers Playhouse), Cecile/Boylan Sister in Annie (Berkeley Playhouse) and Mrs. Wormwood in Matilda (Novato Theater Company). Other favorite roles include the title role in Sylvia, Janet in The Rocky Horror Show, and Penny Pingleton in Hairspray (Elly Award winner). Melody works in children's theater and is a partner dance instructor with her husband, Justin.
Lexy Grant
M'Lynn Eatenton
Lexy Grant (she/her) is delighted and excited to join the Steel Magnolias crew and creative team. Theatre credits include Christine in Mourning Becomes Electra, Sue in All My Sons, Velma in Hairspray, Natasha in The Three Sisters, Roxanne in Cyrano de Bergerac, The Trojan Women, A Delicate Balance, Four Dogs and A Bone, All The Way, Twelfth Night, the SRT Elektra Festival and SRT Verdict, directed by Rush Rehm.
Kristine Ann Lowry
Ouiser Boudreaux
Kristine Ann Lowry (she/her) is thrilled to be making her debut at Town Hall Theatre and collaborating with this talented cast and artistic team. Her Bay Area credits include featured roles in Our Town, Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, The Diary of Anne Frank, The Laramie Project, All My Sons, The Night of the Iguana, Enchanted April, The Shadow Box, Picnic, The Music Man, Nunsense, Oklahoma!, Into the Woods, Sweeney Todd and The Spitfire Grill. She received Bay Area Critics' Circle Award nominations for Spring Awakening, Dancing at Lughnasa and Other Desert Cities. Kristine studied theater at Pacific Conservatory of the Performing Arts, where she appeared as Lizzie in The Rainmaker. Her other passion is teaching, coaching and conducting theater workshops with her husband.
Production
- Directed by
- Richard Perez
- Stage manager
- Finley Gatty
- Costume design
- Hope Birdwell
- Hair and make-up design
- Michael Berg
- Sound design
- Rob Evans
- Scenic design
- Justin Cesarin
- Assistant scenic design
- Ella Bais
- Props design
- JoJuan Johnson
- Lighting design
- Bri Jaffe
Richard Perez
Director
Richard Perez (he/him) is a director, actor, educator, and playwright. He recently relocated to the Bay Area from Michigan where he had been a theatre professor for ten years. During that time, he was also active in the Chicago theatre and television industry. His directing credits include Clybourne Park (SFBATCC best overall production), Human Error, The Wolves, The Thanksgiving Play, True West, Hurly Burly, The Christians, Cry It Out, Detroit '67, All My Sons, Into the Woods, Urinetown, The Mercy Swing (New York Fringe Festival) and Nocturnal (The Kennedy Center). Representative acting roles include Mando in How to Make an American Son, Nate in The Birds, Gabe in Dinner with Friends, Oscar in The Odd Couple, Bobby Gould in Speed the Plow and Malvolio in Twelfth Night. On television he appeared as Councilman Ortiz on Boss, with Kelsey Grammer, as well as guest roles on Chicago Fire, Chicago Med, and Electric Dreams. Richard is the former Artistic Director of Town Hall Theatre and the Bloomington Playwrights Project in Indiana as well as the Associate Artistic Director of Chicago Dramatists.
Finley Gatty
Stage manager
Finley Gatty (any pronouns) is a first time stage manager at Town Hall and they are very excited to be here. They have been in theater since high school and are now majoring in Technical Theater at DVC, where they have done Sweet Charity, The Crucible, and It Can't Happen Here.
Hope Dawang Birdwell
Costume design
Hope Dawang Birdwell (she/her) is our returning costume designer, who has over two decades of designing experience. She has designed over 55 productions in the Bay Area, most recently Annie at the Berkeley Playhouse, Alabaster at Town Hall Theatre and Fiddler on the Roof at Contra Costa Civic Theatre. Hope has 7 children and 11 grandchildren that keep her busy. She mostly thanks her husband Huey for his support and for learning how to use the seam ripper and labeling costumes.
Michael A. Berg
Hair and make-up design
Michael A. Berg (he/him) is very pleased to be back working at Town Hall Theatre, and especially on this project! He has been active in the Bay Area theatre scene for the past 40 years, mostly at Center Rep of Walnut Creek and Ross Valley Players in Marin County. He moved to the great state of California in 1980 from North Carolina. He has three sisters, a mom, a daughter and an ex-wife, and they are all steel magnolias. This play holds a special place in his heart and soul for obvious reasons!
Rob Evans
Sound design
Rob Evans (he/him) is delighted to return to Town Hall after last year's Snowbound. His work can be heard locally as resident designer for the O'Neill festival in Danville, where past productions include The Iceman Cometh, Desire Under the Elms, The Emperor Jones, A Touch of the Poet, Hughie, Long Day's Journey into Night, A Moon for the Misbegotten, Anna Christie, Mourning Becomes Electra, and The Hairy Ape, among many others. Other regional highlights include designs for Cat on a Hot Tin Roof, Laughing Stock, Lend Me A Tenor, Copenhagen, Proof, and The Seagull, as well as composing original scores for Macbeth, A Midsummer Night's Dream, and Twelfth Night. He plays saxophone with the Rob Evans Trio, and is one of the creative brains at Mastermind Treasure Hunts.
Justin Cesarin
Scenic design
Justin Cesarin (he/him) returns to Town Hall for his eighth mainstage show here (fifth as scenic designer), having most recently designed Tiny Beautiful Things, also along with his assistant designer, Ella. He is thrilled to partner with this incredible cast and production team to share another show with the Town Hall audience. Justin brings 25+ years of design experience, and can often be found in DVC's drama department and around the East Bay as an educator. When off the clock, Justin is a dedicated cat dad, avid paddleboarder, and Central America traveler, with a propensity for JQ and salsa dancing. He holds a BA in Drama and advanced degrees in business and leadership.
Ella Bais
Assistant scenic design
Ella Bais (she/her) is back for her second show as assistant set designer for Town Hall. She's going into her second semester at DVC and loves to meet new friends and colleagues through theatre and arts. Big thanks to her friends and family's support, and a thanks to all who have come to support this amazing production.
JoJuan Johnson
Props design
JoJuan Johnson (he/him) is a Bay Area theatre maker with a creative background in theatre design and playwriting, and a performance background in improv and dance. He holds a Bachelor of Arts degree from San Francisco State University in Theatre Arts and Broadcast and Electronic Communication Arts (BECA), with a Video Game Studies minor. JoJuan plans to apply for a Master's program in Theatre Studies this year. JoJuan is excited for Steel Magnolias, which marks both his Town Hall Theatre debut and his props design debut. Mentored by Michael Schweikardt, previous scenic projects include Rent, Eurydice, She Kills Monsters, Everybody, and The Last Days of Judas Iscariot (San Francisco State University, School of Theatre and Dance). His professional experience includes working as an overhire carpenter for Noises Off (San Francisco Playhouse). Outside of theatre, he hosts and is the founder of The Bubble Chat podcast and is a dancer at Funkmode Studios.
Director's note
I find it interesting that some of my favorite stories have always been centered around women talking to one another. Liberation. Sex and the City. Gilmore Girls. Shows where, if nothing else, the characters could sit around a table, share their lives, make each other laugh, tell each other the truth, and somehow get through another day together. I have always been drawn to those relationships, and, if I'm being honest, a little envious of them.
There is something about the bonds women often form with one another that I find both beautiful and extraordinary. There can be a depth of honesty, intimacy, humor, and emotional support that men are not always taught to cultivate with each other. We certainly have our friendships, but many of us were raised to keep certain things to ourselves, to solve our problems alone, or to mistake vulnerability for weakness.
That is one of the reasons I wanted to direct Steel Magnolias. At its heart, this is a play about a community of women who have created a place where they can be fully human. They tease one another. They argue. They gossip. They give unsolicited advice. They sometimes hurt one another. And they love one another fiercely. Most importantly, when one of them is in crisis, the others show up.
And perhaps that is what speaks to me most deeply about this play right now. We live in a time when it can feel as though the challenges facing us are larger than any one person can possibly overcome. We are increasingly divided, increasingly isolated, and often encouraged to see one another as opposing sides rather than as members of the same community. In times like these, friendship is not a small thing. Community is not a luxury. We need people who know us, support us, challenge us, make us laugh, and, when necessary, simply sit beside us when there are no words.
The women of Truvy's beauty shop understand this instinctively. They have created a little community where there is room for joy and sorrow, for strength and fear, for celebration and grief. They understand that sometimes the most profound act of love is simply to stay. I think we need more of that. We need places where we can put down our armor. We need people who will tell us the truth and still love us afterward. We need friends who will laugh with us when life is ridiculous and hold us when it is unbearable. And we need communities willing to remind us that none of us is meant to navigate this life entirely alone.
Steel Magnolias is funny. It is deeply Southern. It is sometimes outrageous. It is also profoundly heartbreaking. But underneath all of it is a simple and powerful idea:
We are stronger when we have one another.
It has been my privilege to spend time with these remarkable characters and with the remarkable actors who are bringing them to life. I hope that as you watch them laugh, fight, celebrate, and grieve together, you might think about the communities in your own life. And perhaps, when the lights come up, you will be reminded to call someone you love. Because sometimes showing up for one another is the most important thing we can do.
Welcome to Town Hall Theatre
Welcome to Steel Magnolias and to the beginning of Town Hall Theatre's 2026/27 season, Belonging.
There's something fitting about beginning a season called Belonging with a story about a group of people who create a community simply by showing up for one another. In Steel Magnolias, a beauty shop becomes a gathering place. It is where friendships are formed, stories are shared, celebrations happen, and, when life gets difficult, people come together to carry one another through. That feels especially fitting for Town Hall.
Every time I walk through our doors, I'm reminded that what makes this place special isn't just what happens on our stage. It's the people who fill the building: our artists, students, volunteers, families, longtime patrons, and all of the people who are discovering Town Hall for the first time.
One of my favorite parts of this job has been getting to know this community and learning what Town Hall means to all of you. I'm still listening, still learning, and still figuring out all the ways this theatre can be a place that feels like it belongs to you. I want Town Hall to be a place where you feel welcome, where you can bring your whole self, where you can experience something that makes you laugh or think or feel a little less alone. And I want us to keep creating that together.
I hope this season gives us plenty of reasons to gather. I hope we make space for big conversations and small moments, for new voices and familiar ones, and for the kind of experiences that remind us why live theatre matters. Most of all, I hope you feel at home here.
Thank you for being part of Town Hall, and for helping us shape what this theatre can be. Enjoy the show!
Our mission
As proud stewards of Contra Costa County's oldest theatre company and a beloved Lafayette landmark, Town Hall is dedicated to radical hospitality and committed to building space for artists, audiences, and students to create lasting impact on our community through empathy and connection.
Town Hall Theatre Co.
Team
- Morgan DayleyExecutive Director
- Erika MarchEducation Director
- Elizabeth CurtisDirector of Community Experience
- Courtney SutherlandTechnical Director
- Sarah O'BrienResidencies Manager
- Kelly HandlerEducation Coordinator
Board
- Kathleen McGee OlsonPresident
- Laura BergmanVice President
- Lulu BraunsteinSecretary
- Udit NagarTreasurer
Members at largeLyle Barrere, Heather Cousins, Brian Foley, Andrée Hurst, Nisha MacMillan, Rob Seitelman, Mark Tice
Land acknowledgement
We acknowledge and honor the Indigenous communities of this region and recognize that our theatre is located on the traditional homelands of the Saclan tribe. This land was stolen from them by a series of colonizers over the last three centuries. The Saclans were part of the traditional Bay Miwok Tribe which is now part of the Muwekma Ohlone Tribe. We know this recognition is not enough and does not make up for the brutal genocide that ravaged the many Indigenous populations throughout this country and region. We offer our gratitude for the care this land has received for generations and of which we are now the beneficiaries. We stand in solidarity with our Indigenous neighbors, for protection, for visibility and for recognition.
Very special thanks
Thank you to Travis House, Craig Rogers, Brian Foley, Judy Disbrow, Linda Nye, the Ballet School Performing Arts and Fantasy Forum Actors Ensemble.
We are especially grateful to have the support of these incredible members of our business community. We hope you show your appreciation for their dedication to the arts by choosing to support their businesses.
Thank you to our donors
Town Hall Theatre is very lucky to have such wonderful, amazing, supportive donors. We would especially like to thank the following donors for their support.
- Angie Baille*
- George & Carol Chaffey*
- George & Eva Deusler*
- The Donald Zonshine and Galletly Foundation
- Rahul Gupta
- Sandi and Forrest Cioppa
- Trudy and Charles Salter
- Carolyn Blum
- Thomas O'Brien
- Richard Perez
- The Law Offices of Richard E. Brown
- Norman and Kathleen Correia
- Elizabeth Dietsch
- James Freeman
- Diane Lombardo
- Katrinka March
- Laurie Phillips
- Les & Sue Polgar
* Legacy Donors
With thanks to 577 more supporters
- Ziad Abdo
- Karen Adams
- Sue Adler-Bressler
- Marlene Alderman
- Sarah Alves
- Jerry Andersen
- Amy Anderson
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- Nazli Sajjad
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- Christopher Sharron
- Meryl Shaw
- Courtney Sheldon
- Rik Sheldon
- Jacob Shepard
- Terry Sherman
- Hayley Sherwood
- Irina Sheynman
- Kay Sibary
- Anne Sigmon
- Melinda Silva
- Martin Silverman
- Heather Simone
- Audrey Slaughter
- Maryann Slew
- Barbara Smith
- Joshua D. Smith
- Melylah Smith
- Rachel Smith
- Evya Smyth
- Linda Snyder
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- Jeannine Stein
- Lynn Steinmetz
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- Shobhana Stoyanov
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- Patrick Tunney
- Abigale Upham
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- Gretchen Hoff Varner
- Shaunna Vella
- Alex Villasenor
- Katherine Vincent
- Kay Vogt
- John Vukelich
- Doreen Wagner
- Gail Walden
- Kim Walker
- M. Henry Walker
- Donna Walton
- Lily Wang
- Ellie Warburton
- Nikki Weber
- Debra Weiss
- Maria Weller
- Eric Wernholm
- Risa Wernimont
- Jane West
- Leslie Westphal
- Rachel Whalen
- Laney Whitcanack
- Aase White
- Gay White
- Kim White
- Janet Wiggins
- Dorothy Wilcox
- Virginia Wilcox
- Zach Wiley
- Ann Willoughby
- Lillian Wilson
- Mary Winn
- Anna Winters
- Ellen Winters
- James Wolf
- Karen Wolfe
- Craig Wyckhouse
- Gail Roche Van Wye
- Lili Yao
- Inge Yarborough
- William Yarborough
- Sean Yokomizo
- Randall Young
- Rebecca Young
- Alyssa Zagorie
- Leonard Zavala
- Zendra Zehner
- Shelley Zovickian
Town Hall Theatre is a 501(c)(3) nonprofit organization. Tax ID# 94-6124107.
Coming soon to Town Hall
December 11 – 19, 2026
Robin Hood of the Reservoir
This holiday season, Town Hall Theatre brings panto to Lamorinda! An original, family-friendly adventure packed with pop songs, slapstick, local humor, and audience participation as Marian, Robin, and friends take on the greedy Sheriff of Lamorindingham.
December 2026 – January 2027
Youth Musical Theatre Classes
Calling students PreK through 12th grade! Thaw out your skills this winter in classes built for making bold choices and deepening understanding. In our process-based programs, young performers will practice their musical theatre skills, strengthen their confidence, and hone their craft.